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Recent Press

Critic Pick - Review of Welcome Home Stranger in Art Forum by Ara Osterweil

Rebekah Goldstein Interprets Bodies in an Abstracted State of Metamorphis - Interview on Art Plugged by Sophie Agocs

Review of Welcome Home Stranger in Square Cylinder by Maria Porges

Featured in New American Paintings Issue #157 - PDF download

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Education

2012 | MFA, California College of the Arts, San Francisco, CA

2004 | BA, Sarah Lawrence College, Bronxville, NY, Painting Major​

2003 | Académie Port-Royal Painting and Drawing Studio, Paris, France

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Solo Exhibitions

2023| My Reflection In The Water, Denny Gallery, New York, NY

2023| Paintings and Sculptures, Rosenbaum Contemporary, Boca Raton, FL

2022 | Welcome Home Stranger, Cult Aimee Friberg Exhibitions, San Francisco, CA

2018 | See You On The Flipside, Cult Aimee Friberg Exhibitions, San Francisco, CA

2016 | Release Me, Friberg Exhibitions, San Francisco, CA

2016 | Either Way, 100% Gallery, San Francisco, CA

2015 | Another Way In, Jack Geary Contemporary, New York, NY

2014 | Passenger, Cult Aimee Friberg Exhibitions, San Francisco, CA
2013 | Casual Separates, City Limits Gallery, San Francisco, CA

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Selected Group Exhibitions

2024| Warp and Weft, Gallery 16, San Francisco, CA

2024| California Jewish Open, The Contemporary Jewish Museum, San Francisco, CA

2024| Material Instincts, 120710, Berkeley, CA

2022| Sensate Objects, The Schneider Museum, Ashland, OR

2021 | Janus, Cult Aimee Friberg Exhibitions, San Francisco, CA

2019 | CCA's People's Party Exhibition Honoring Wayne Thibaud, California College of the Arts, San Francisco, CA 

2017 | Shabbat: Dorothy Saxe Invitational, Contemporary Jewish Museum, San Francisco, CA

2017 | About Abstraction; Bay Area Women Painters, Bedford Gallery, Walnut Creek, CA
2017 | Dream House, Eleanor Harwood, San Francisco, CA 

2017 | Apollo on Earth, Hilde Gallery, Los Angeles, CA 

2017 | Cut to the Left, T*Moro Projects, Santa Clara, CA 

2016 | Landfill/Bedrock, Guerrero Gallery, Los Angeles, CA
2016 | Made in Paint, The Golden Foundation, New Berlin, NY

2016 | Perhaps We Could Chat Through A Few Specifics, FIfi Projects, Mexico City, Mexico
2015 | Younger Than George: 12 Painters in Their Twenties and Thirties, George Lawson Gallery, San Francisco, CA

2015 | Sexxxitecture, Cult Aimee Friberg Exhibitions, San Francisco, CA 

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Collections

UC Berkeley Museum of Art and Pacific Film Archive, Berkeley, CA

Google Collection, San Francisco, CA

MacEvoy Collection, San Francisco, CA

Fidelity Collection, Boston, MA

The Wing Collection, San Francisco, CA

Nordstrom Collection, Seattle, WA

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Awards and Honors

2016 | Minnesota Street Project Studio Program - Charter Resident

2015 | Sam and Adele Golden Foundation for the Arts, Artist Residency, New Berlin, NY

2012 | Atlantic Center for the Arts Artist Residency, with Master Artist Joanne Greenbaum, New Smyrna, FL
2011 | New York Studio Program, AICAD Studio, Brooklyn, NY

2005 | Arad Arts Project, Artist Residency Program, Negev Desert, Isreal

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Bibliography

Review of Full Lenght Mirror in Square Cylinder by Barbara Morris, 2025

The Abstract Now" , catalog essay, Barry Shwabsky, 2025

“Sensate Objects” Sue Taylor, catalog essay for Sensate Objects, 2022

Critic Pick - Review of Welcome Home Stranger,  Ara Osterweil,  Art Forum, 2022 

"Rebekah Goldstein Interprets Bodies in an Abstracted State of Metamorphis" Sophie Agocs, Art Plugged , 2022

Review of Welcome Home Stranger in Square Cylinder by Maria Porges, 2022

New American Paintings Issue #157, 2022

“Somehow On” Kim Biel, catalog essay for Welcome Home Stranger, 2022

"Up Close: One Painting Tour of Diebenkorn's Ocean Park #60 with Kim Beil and Rebekah Goldstein," Cantor Art Center YouTube, Stanford, 2019

"Something Else: The Art of Writing," Kim Biel and Stanford Art and Art History Class,  2019

"Interview with Rebekah Goldstein" Elise Morris, The Studio Work,  2018

Review of See You On The Flipside, Charmaine Koh, Square Cylinder,  2018

Review of About Abstraction, Barbara Morris, Square Cylinder,  2017

Review of Apollo on Earth, Angela d'Avignon, Contemporary Art Review LA, 2017

"Dream House" Catalog essay for Cut From the Left, Maggie Haas, 2017

Review of Release Me, Elwyn Palmerton, Square Cylinder,  2016

"Making Space," Alissa Caroll, SFC&G, 2016

"Rebekah Goldstein: Studio Visit and Interview," San Francisco Arts and Culture Channel, 2016

New American Paintings, No. 121, Pacific Coast Issue,  2016

"Residency Report: Rebekah Goldstein at Golden," Dime and Honey, 2015

"A Two Woman Show Asks Viewers to Zoom In," Bridget Gleeson, Artsy,  2015

"Making it Up," Catalogue essay for Another Way In, Maria Porges, 2015

Review of Passenger, Barbara Morris, Art LTD,  2014

Review of Passenger, Monique Delaunay, San Francisco Art Enthusiast, 2014

"The Lives of Fragments," Catalog essay for True Story, Tobias Wofford,  2013

"Practicing to Pretend," Matthew Marchand, SFAQ, 2013

"Casual Separates," Matthew Marchand, Art Practical, 2013

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CONTACT

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Rebekah Goldstein | Artist. © 2021 by Hilary Springman Creative

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