Recent Press
Critic Pick - Review of Welcome Home Stranger in Art Forum by Ara Osterweil
Rebekah Goldstein Interprets Bodies in an Abstracted State of Metamorphis - Interview on Art Plugged by Sophie Agocs
Review of Welcome Home Stranger in Square Cylinder by Maria Porges
Featured in New American Paintings Issue #157 - PDF downlaod
Education
2012 | MFA, California College of the Arts, San Francisco, CA
2004 | BA, Sarah Lawrence College, Bronxville, NY, Painting Major
2003 | Académie Port-Royal Painting and Drawing Studio, Paris, France
Solo Exhibitions
2018 | See You On The Flipside, Cult Aimee Friberg Exhibitions, San Francisco, CA
2016 | Release Me, Friberg Exhibitions, San Francisco, CA
2016 | Either Way, 100% Gallery, San Francisco, CA
2015 | Another Way In, Jack Geary Contemporary, New York, NY
2014 | Passenger, Cult Aimee Friberg Exhibitions, San Francisco, CA
2013 | Casual Separates, City Limits Gallery, San Francisco, CA
Selected Group Exhibitions
2020 | We're All In This Together, Cult Aimee Friberg Exhibitions, San Francisco, CA
2020 | Patch, Gallery 16, San Francisco, CA
2019 | Spraybows, Flowers Gallery, San Francisco, CA
2019 | CCA's People's Party Exhibition Honoring Wayne Thibaud, California College of the Arts, San Francisco, CA
2017 | Shabbat: Dorothy Saxe Invitational, Contemporary Jewish Museum, San Francisco, CA
2017 | About Abstraction; Bay Area Women Painters, Bedford Gallery, Walnut Creek, CA
2017 | Dream House, Eleanor Harwood, San Francisco, CA
2017 | Apollo on Earth, Hilde Gallery, Los Angeles, CA
2017 | Cut to the Left, T*Moro Projects, Santa Clara, CA
2016 | Landfill/Bedrock, Guerrero Gallery, Los Angeles, CA
2016 | Made in Paint, The Golden Foundation, New Berlin, NY
2016 | Perhaps We Could Chat Through A Few Specifics, FIfi Projects, Mexico City, Mexico
2015 | Younger Than George: 12 Painters in Their Twenties and Thirties, George Lawson Gallery, San Francisco, CA
2015 | Sexxxitecture, Cult Aimee Friberg Exhibitions, San Francisco, CA
Collections
UC Berkeley Museum of Art and Pacific Film Archive, Berkeley, CA
MacEvoy Collection, San Francisco, CA
Fidelity Collection, Boston, MA
The Wing Collection, San Francisco, CA
Nordstrom Collection, Seattle, WA
Awards and Honors
2016 | Minnesota Street Project Studio Program - Charter Resident
2015 | Sam and Adele Golden Foundation for the Arts, Artist Residency, New Berlin, NY
2012 | Atlantic Center for the Arts Artist Residency, with Master Artist Joanne Greenbaum, New Smyrna, FL
2011 | New York Studio Program, AICAD Studio, Brooklyn, NY
2005 | Arad Arts Project, Artist Residency Program, Negev Desert, Isreal
Bibliography
"Up Close: One Painting Tour of Diebenkom's Ocean Park #60 with Kim Beil and Rebekah Goldstein," Cantor Art Center YouTube, Stanford, April 2019
"Something Else: The Art of Writing," Kim Biel and Stanford Art and Art History Class, June 2019
"Interview with Rebekah Goldstein" Elise Morris, The Studio Work, December 2018
Review of See You On The Flipside, Charmaine Koh, Square Cylinder, November 2018
Review of About Abstraction, Barbara Morris, Square Cylinder, November 2017
Review of Apollo on Earth, Angela d'Avignon, Contemporary Art Review LA, March 2017
"Dream House" Catalog essay for Cut From the Left, Maggie Haas, February 2017
Review of Release Me, Elwyn Palmerton, Square Cylinder, November 2016
"Making Space," Alissa Caroll, SFC&G, October 2016
"Rebekah Goldstein: Studio Visit and Interview," San Francisco Arts and Culture Channel, February 2016
New American Paintings, No. 121, Pacific Coast Issue, January 2016
"Residency Report: Rebekah Goldstein at Golden," Dime and Honey, October 2015
"A Two Woman Show Asks Viewers to Zoom In," Bridget Gleeson, Artsy, January 2015
"Making it Up," Catalogue essay for Another Way In, Maria Porges, January 2015
Review of Passenger, Barbara Morris, Art LTD, November 2014
Review of Passenger, Monique Delaunay, San Francisco Art Enthusiast, October 2014
"The Lives of Fragments," Catalog essay for True Story, Tobias Wofford, October 2013
"Practicing to Pretend," Matthew Marchand, SFAQ, July 2013
"Casual Separates," Matthew Marchand, Art Practical, March 2013